repeat after me repeat after me repeat after me repeat after me repeat after me repeat after me repeat after me
  January 7 - 28, 2006
  artists explore the idea of self-replication
 
Flux Factory

#38-38 43rd Street, Long Island City, Queens, NY
Gallery Hours: Friday - Sunday 12-6pm or by appointment

Opening reception: Saturday January 7th, 6-10pm 
   
   
 

to see more
click on a 
self-replicating
astrochicken

 

 
Jorann Abusland
Carla Aspenberg
Jill Auckenthaler
Jeremy Avnet
& Soren Goodman
Zoë Cohen
Kerry Downey
Carl Ferrero
Carrie Fucile
David Gitt
Farley Gwazda
Shanan Kurtz
Meghan McKnight

Ian Montgomery
Brandon Neubauer
Sarah Phillips
 

Carla Aspenberg and Sarah Phillips are pleased to present Repeat After Me , an interdisciplinary group exhibition of artists exploring the idea of self-replication.  

Self-replication is a process where something makes a copy of itself.   It is a non-sexual form of reproduction, sometimes needing a host but never a partner.   This can be seen in the most basic living cells that comprise our bodies to biological and digital viruses which replicate to create unseen predatory masses.   Eric Drexler, an American engineer well known for his theories in the field of nanotechnology, feared the possible viral nature of microscopic machines.   He coined the term "gray goo" to describe the condition of Earth after groups of molecular sized self-replicating machines were programmed to devour all carbon containing life forms (don't worry, self-assembling robots do exist but they are helping NASA colonize the moon, not causing an apocalypse).

What if languages, cultures and even desires could also be seen to act virally?   The controversial field of memetics defines a meme as a piece of thought that replicates itself in the human mind by means of imitation.   Memes are viewed as the evolution of human ideology and can be anything from fashion trends to popular concepts.   But what happens when a dominant meme occupies many minds at once and what happens when beliefs are no longer seen as individual decisions but invasions by independently replicating units of culture?

Reproducing the self can be seen directly as a reproduction of one's own identity.   All self-replicating entities go through cycles of evolution and mutation; the artist who mutates their identity often creates disturbing and unsettling changes and effects.   Replicating one's own identity can parallel the idea of human cloning, seen by some to be an unnatural and even perverse act.   Mutation leads to a shifting and changing of the identity where the humanness of the subject is often uncertain, leading to the ultimate question: if we are not human, then what are we?

 

REVIEW

Ruminations On Replication—‘Repeat After Me’ Opens At Flux Factory

by Jennifer Manley
Jan 12 2006
Queens Chronicle 
   
 
For directions to the gallery see Flux Factory website 
To learn more or to make an appointment please contact Carla Aspenberg or Sarah Phillips 
at graygoo@repeatafterme.org